![]() ![]() So if you spend a lot of time exporting video projects with Premiere Pro, you should be doing them with the Adobe Media Encoder instead of directly from Premiere.ĭo you run into any problems exporting Adobe Premiere videos with Media Encoder? Let us know in the comments. You can output multiple settings, easily change formats and presets, and more. Using Adobe Media Encoder, exporting projects from Premiere becomes a breeze. Export Adobe Premiere Projects More Efficiently If you ever need to export something to a specific place on your computer, this is where you’ll go to do it by checking this item off and selecting Browse. Second, you can change the output file destination here. This can help prevent your final product from coming out wrong and alert you to these missing elements. Under the Output section, there are a couple of things here you may want to be aware of.įirst, you have the option to have the rendering stopped if the program detects missing items. ![]() It’s a good idea to have this on if you’re expecting your project to take a long time, as is often the case with longer projects or ones with lots of added effects. Check off Play chime when finished encoding to enable this. There’s also an option for the program to play an alert noise once it renders the video. Seeing this can give you a good idea of how long other similar projects can take. Fix AME 2023 Not Encoding/Rendering/Exporting Error After Adobe has released its 2023 version of its popular products, many users started to complain that they encounter issues when trying to export files from Premiere Pro and After Effects using the latest version of Media Encoder. Alternatively, you can choose Export, which will export the encoded file directly from Premiere Pro (using the same encoding engine), but will lock up Premiere Pro during the Export period.You can also choose to see how long the rendering process has taken by checking off Show Queue Elapsed Encoding Time. This will send the file to Adobe Media Encoder, which is what you’ll do most of the time. One is for video and the other is for screencams.īecause I have a custom preset already available that I can use to encode this clip for the target site, all I have to do is choose this custom preset and then click the Queue button at the bottom of the Export Settings dialog. ![]() Because I’ve shot and encoded clips for in the past, I’ve got two different custom presets customized for the site, which you can see at the top of the pull-down in Figure 2. The video used in this tutorial is a clip shot at Streaming Media West that I’m editing for upload to. Choosing Encoding PresetsĪfter you’ve chosen your format, you choose your preset. You’ve got FLV, you’ve got P2, you’ve got MXF-in short, a lot more export presets than you do with Compressor 4, and a lot more formats you can access without buying a plugin or using a separate tool. One of the nice things about Adobe Media Encoder is that it supports a lot of different export formats. If you’re producing for Flash, there’s an F4V export option there are also options for exporting for Blu-ray. General-purpose H.264 Export Settings options The first, H.264, is for general-purpose H.264 output including iPod and iPhone as well as exporting for UGC upload, with Vimeo and YouTube presets available at the bottom of the drop-down list box (Figure 2, below).įigure 2. If you’re producing H.264 for streaming, there are two formats that you should consider. Premiere Pro’s Export Settings window Choosing H.264 FormatsĪny time you’re going to work in the Export Settings window, you should start by choosing a format. The Export Settings window opens (Figure 1, below) To encode a sequence in Adobe Media Encoder, you choose a sequence to export and then select File > Export > Media. So let’s start our look at Adobe Media Encoder in Premiere Pro, which is the application from which you’ll access Adobe Media Encoder most of the time. If you’re coming over from Final Cut Pro 7 and Compressor, you’ll be happy to know that Adobe Media Encoder is much easier to use than Compressor, encodes faster, and produces much higher quality output, as you can see in the video that accompanies this article. Fortunately, Adobe Media Encoder makes this simple with multiple presets for desktop and mobile players which I’ll show you how to find and customize in this tutorial. If you’re a streaming producer you have to know how to produce H.264 for both Flash distribution and for mobile devices. ![]()
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